The Arts of the North American Indian: native traditions in evolution
(Book)
Contributors:
Wade, Edwin L., editor.
Haralson, Carol, coordinating editor.
Hudson Hills Press, Inc., publisher.
Philbrook Art Center, art museum,
Haralson, Carol, coordinating editor.
Hudson Hills Press, Inc., publisher.
Philbrook Art Center, art museum,
Published:
New York : Tulsa : Hudson Hills Press ;, [1986].
Format:
Book
Edition:
First Edition.
Physical Desc:
324 pages : illustrations (some color) ; 32 cm
Status:
Boulder Main Adult NonFiction
704.0397 Arts
Copies
Location
Call Number
Status
Last Check-In
Boulder Main Adult NonFiction
704.0397 Arts
On Shelf
Sep 26, 2021
Description
Fourteen authorities explore sociology, anthropology, art history of Native American creativity.
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Subjects
LC Subjects
Other Subjects
More Details
Language:
English
ISBN:
9780933920552 (hardcover : alkaline paper), 0933920555 (hardcover : alkaline paper)
Notes
Bibliography
Includes bibliographical references and index.
Description
Fourteen authorities explore sociology, anthropology, art history of Native American creativity.
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Citations
APA Citation (style guide)
Wade, E. L., & Haralson, C. (1986). The Arts of the North American Indian: native traditions in evolution. First Edition. New York : Tulsa, Hudson Hills Press.
Chicago / Turabian - Author Date Citation (style guide)Wade, Edwin L. and Carol, Haralson. 1986. The Arts of the North American Indian: Native Traditions in Evolution. New York : Tulsa, Hudson Hills Press.
Chicago / Turabian - Humanities Citation (style guide)Wade, Edwin L. and Carol, Haralson, The Arts of the North American Indian: Native Traditions in Evolution. New York : Tulsa, Hudson Hills Press, 1986.
MLA Citation (style guide)Wade, Edwin L., and Carol Haralson. The Arts of the North American Indian: Native Traditions in Evolution. First Edition. New York : Tulsa, Hudson Hills Press, 1986.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
765bfa0b-da6f-5cd6-3536-6adb51f5d6d9
Record Information
| Last Sierra Extract Time | Apr 13, 2024 10:07:57 PM |
|---|---|
| Last File Modification Time | Apr 13, 2024 10:08:17 PM |
| Last Grouped Work Modification Time | Apr 13, 2024 10:08:00 PM |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g I. Meaning. The|t Meanings of Native American Art /|r William C. Sturtevant, Department of Anthropology, National Museum of Natural History, Smithsonian Institution, Washington, D.C. --|t Aesthetic Archives: |g The|t Visual Language of Plains Ledger Art /|r Gloria A. Young, Coordinator of Research and Special Projects, Philbrook Art Center, Tulsa, Oklahoma --|g II. Tradition.|t Tradition in Native American Art /|r J. C. H. King, Curator, Museum of Mankind, The British Museum, London --|t European Influences on Plains Indian Art /|r Norman Feder, Consultant Editor, American Indian Art Magazine, Sidney, British Columbia --|g III. Aesthetics.|t Aesthetics in Native American Art /|r Wolfgang Haberland, Curator, Museum für Völkerkunde, Hamburg --|g The|t Dancing Headdress Frontlet: Aesthetic Context on the Northwest Coast /|r Bill Holm, Curator, Thomas Burke Museum, University of Washington, Seattle --|g IV. Quality.|t Determining Quality in Native American Art /|r Evan M. Maurer, Director, University of Michigan Art Museum, Ann Arbor --|t Sculptural Arts of Native America /|r Christian Feest, Curator, Museum für Völkerkunde, Vienna --|g V. Individuality. The|t Individual in Native American Art:|g A|t Sociological View /|r John Anson Warner, Professor, University of Regina, Saskatchewan --|t Washoe Innovators and Their Patrons /|r Marvin Cohodas, Professor, University of British Columbia, Vancouver --|g VI. Controversy.|t Controversy in Native American Art /|r Jamake Highwater, New York --|t Straddling the Cultural Fence:|g The|t Conflict for Ethnic Artists within Pueblo Societies /|r Edwin L. Wade, Curator, Non-European Art, Philbrook Art Center, Tulsa, Oklahoma --|g VII. The Future.|t Frames of Reference: Native American Art in the Context of Modern and Postmodern Art /|r Gerhard Hoffman, Professor of American Studies, University of Würzburg, Wüzburg --|t Tall Visitor at the Indian Gallery;|g or, The|t Future of Native American Art /|r Rennard Strickland, Dean and Professor of Law, Southern Illinois University, Carbondale. |
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